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     There are two critical pieces of context you should know here, for what just transpired:

     1) My favorite aunt, Kira, is a fiction writer and we've always been close.

     2) It's incredibly icy on the mountain that I live on and most cars can't traverse it in the winter (including my all-wheel-drive wagon sometimes).

     Today there's a lot of fresh snow and very shiny ice on the ground beneath it, so I decided to walk down the mountain wearing a backpack to get the mail, instead of trying to drive down the icy slopes. 

     This is not an uncommon occurrence in the winter.

     I like the cold. I do these kinds of things.

     As I'm carefully balancing and maneuvering myself and an empty backpack for collecting mail down a steep stretch of ice on an isolated mountain, my cell rings.

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Photo by Zora Grizz

     There it was again: someone was…screaming…shrieking, just over the hill…in the boneyard. 

     I climbed up onto the deck’s railing, standing tall, straining to see out over the juniper bushes and trees, towards the boneyard.

     There were no sounds. No stalwart birds calling out. No soft crunch as something moved through the snow. 

     There was only a complete, horrifying, silence.

     I waited. 

     Suddenly, the sounds came again, more distinct this time: barking, horrendous sounds, like a dog was injured and dying. 

     It was dusk, the light seeping away into fresh, deep, blues across the snow, and I’d been trying to figure out what I'd been hearing and what has had the dogs inside my house barking and frantic out of their minds for the last several minutes. I hopped down from the railing and rushed over to the far corner, cursing my short height and hoping for a better view into the boneyard as I climbed up again and balanced myself.

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The Archaeology Laboratory
(2023)  

Short story

     The year was 2007 - the year our culture collectively made fun of Britney Spears for being a person, in case you’re struggling to place it in your memory.

     I was an undergraduate student worker - whiling away the few free hours I had between my classes, two other jobs, and learning all about drinking games at night - by cataloging archaeological miscellany for a university's archeology professors. 

     I worked in an old, basement-level, archaeology lab. After I recorded what each item was, I had to go into this closet that I swear to god stretched on for a half mile (most of the items were actual, literal, dirt. I had to sort their dirt samples, which is very weird and tedious. But I’m not gonna lie: I was kinda into the rote muscle memory of it. I could let my mind just wander).

     The closet had an obscene number of shelves, lining the walls at odd increments and disappearing into the shadows and dark towards the back.

     There were weird breaks in the shelves with just sunken sections of wall with nails sticking out. The whole place was lit by one dim light bulb at the front, nearest the only door.

     I hated going into that closet. I worked alone and there was this terrifying fucking vibe in there. Like something was watching me. The endless closet was full of crates and decades upon decades of archaeology detritus that they didn't know what to do with but didn't want to throw away.

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     Bets Gomez.

     I stare at the name, typed in tiny letters on a page yellowed with age. It doesn’t stand out. There is nothing special about it other than the memories it holds for me. My grandmother: the complex and complicated womxn who was our family’s matriarch. Who helped raise me. But this page is overflowing with small boxes, each containing their own tiny-lettered name. She is one in a sea of many names typed in the same font, the same color, the same size - just like all the others.

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Photo by Zora Grizz

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Currently
published in

The Uncoiled
magazine!

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